by Mariah Posey | March 15, 2017
Reporting on war is risky and rewarding, but not every journalist is able or willing to do it. But for Kevin Maurer, a freelance journalist and co-author of New York Times’ best-seller, “No Easy Day,” the opportunity to report on war felt like something he was meant to do.
After landing a job at the Fayetteville Observer in January 2003, a little over a year after the September 11 attacks, the chance to report overseas quickly fell into place. By early March the same year, he was reporting in Iraq.
“As a young reporter, the war was the story,” Maurer said. “It was the one story I felt like I had to cover somehow.”
He spent the next eight years between Iraq and Afghanistan working on numerous stories. He realized that he enjoyed being in the midst of all the chaos, always anxious to return after getting back to the states.
“It’s weird in that you go a couple times and there’s a romance to it,” he said. “There’s something to being over there in that situation. I only find that it gets stressful after the fact.”
Maurer found that living as an embed, he gradually became a part of the unit. But that connection made it nearly impossible for him to get the full story. So according to him, he never tried to.
Instead, he said his reporting “tries to put a human face” to the soldiers he was writing about.
“That’s the other dangerous side of being an embed,” he explained. “You’ve gotta continue to make sure you’re doing your job even though you’re starting to like these guys.”
Though that relationship can be easily blurred, Maurer stressed the importance of transparency between a reporter and his sources.
“Sources aren’t your friends,” he said. “They’re your eyes and ears. You do everything you can not to burn them, but they’re not your buddies and you can’t treat them as such.”